Dead Can Dance – Dionysus download

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Dead Can Dance – Dionysus Digital album

Format: mp3, 320k/s

Premiere: November 2nd 2018

Click button below to start downloading:

5552 Downloads

File size;: 351,2 MB

File format: Dead Can Dance – Dionysus zip file

Dead Can Dance – Dionysus mp3 songs list:

‘POST-APOCALYPTO THEME’

‘desolation’

‘HOPE’

‘cave women’

‘MAKING LOVE’

‘scientists’

‘TAKE US INTO SPACE’

‘i’ve got to go’

‘FUCK YO-YO MA’

‘reunion/not so fast’

‘DADDY DING DONG’

‘chainsaw bazooka machine gun’

‘ROBOT’

‘marCH’

‘turd whistle’

‘COLORS’

‘who’s your daddy?’

‘JB JR RAP’

‘WOMAN TIME’

‘SAVE THE WORLD’

‘POST-APOCALYPTO THEME (REPRISE)’

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“Dead Can Dance” is one of the few bands from the 80s, “Goth”, which has a coherent discography and is one of the few bands on the stage that managed to branch off the stage to the point where simply labeling their “Goth” does not do justice musical band thanks to their explorations in music “World” and “Experimental”. Now, six years after the release of the Anastasis, the band will release a new album on November 2nd entitled DIONYSUS, and will embark on a tour in May. Dead Can Dance announced his first album in 6 years. Dionysus will be released on November 2 by the [PIAS] Recordings. According to the press release, the album consists of “seven movements representing various aspects of the myth of Dionysus and his cult”. The duo also announced a European tour in the spring of 2016;

From the very beginning in 1981, the Australian duo DEAD CAN DANCE has long been intrigued by European folk traditions, not only in terms of music, but also secular, religious and spiritual. Inspired by this situation, DIONYSUS amounted to as Brendan Perry examined the long and well-established spring and harvest festivals, which were born out of religious practices, a journey that brings to the fore, rites and rituals, which are still practiced to this day.

After two years, Perry gathered a number of folk instruments and how often he hears on previous albums, he draws inspiration from around the world, songs evolve less like songs, but more like fragments of a coherent whole. Dionysus follows the familiar path, the witness field recordings, including songs, hives from New Zealand, birds from Latin America and the Swiss cocaine. Perry’s aim is not only to recall the atmosphere and symbolic reference points, but insist that music can be found everywhere in one form or another.

The album consists of two acts in seven movements, which represent different aspects of the myth of Dionysus and his cult musical, and take the form of oratory that communicates to both spiritual and secular music so far in history as the beginning of the sixteenth century. Retaining dominant views on contemporary paganism in Europe voices used in these movements are conceived as a community celebrating, sometimes in communion with each other, chanting and call and response – various voices are present to convey emotion beyond the boundaries of the same language Although drawing inspiration from the story of Dionysus, the album cover resonates with links to mask depicting rituals made by the Huichol Indians of the Sierra Madre mountains in Mexico – famous for painting beads and yarn, as well as participate in peyote as a sacred ritual and a ritual for healing and expansion of the mind – this is the heart of Dionysus, a celebration not only of humanity, but of humanity, which respects and respects nature in harmony with nature. Dead Can Dance will embark on a long European tour in May and June 2019, celebrating his life and work from 1980 to today.

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